12 Mai 2017
"I aim to get the sound that I want coming straight out of my amplifier," Richards says. "Aware as I am that I was the bugger that started the foot pedal [thing] with 'Satisfaction,' to me that was a one-off effect.
"I'm not gonna go around on stage doing tip-toes on different machines. I expect my sound to be coming out of my amp, and I don't want to change it once it's there. I'm not fancy."
He then sums up his point in typical Keef fashion: "I need my feet to stand up."
The famous fuzz riff from "(I Can't Get No) Satisfaction" has an almost-trombone-like tone; Richards was playing through a Maestro Fuzztone FZ-1, a pedal made by Gibson/Norlin. The Maestro, which had a tone and fuzz potentiometer, plus a push on/off footswitch, was probably the best-known early commercial distortion circuit. The massive success of "Satisfaction" led to increased interest in fuzz pedals and sound research—not to mention stories like the one you're just finishing reading now.
The Stones will spend September and October on the road in Europe, where they’ll play 13 shows during a run of dates called the No Filter Tour. You can see the current dates below.